The National Arts Club in New York City and the chair of its fashion committee, David Zyla, have been incredibly supportive of my and Rose’s projects since even before our first book, “I Am Dandy” was published. Since then, and through the “From Tip to Toe” book I contributed to as well as the publication of our second book, “We Are Dandy,” the National Arts Club has invited us to speak on several panels, displayed Rose’s photographs in their galleries, and always made us feel welcome. Now, they’ve done us the distinct honor of having us be guests on one of the first episodes of their brand new podcast series. Listen at the link below - I hope you enjoy it!
One of the great sartorial highlights of my life was spending two weeks in Congo-Brazzaville with the inimitable Sapeurs. I recently wrote about them for Green Comma, which published article on Medium. You can read it here:
People sometimes ask me what I wear at home, on the days when I don’t go out. It’s true that sometimes I’ll wear a full suit and tie, even if nobody is going to see me all day - there is something mind-focusing about being dressed-up for work. An outfit can give purpose to a day (consequently, I would think exercise best done privately in a nude or semi-nude state, so the mind can focus on the disaster you’re trying to remodel - not that I exercise, of course.)
But in the hot summer months (when it’s not sweltering and I reach for my kurta,) I have something approaching a uniform: white linen or cotton trousers, a slightly looser-than-usual linen shirt in various colors, and a silk neck scarf. To be clear, this is not an ascot - it’s a less formal thing. I fold it into a triangle, then refold it into a strip, wrap it around my throat, and knot it twice then tuck the ends in. I might fuss with the knots a bit to make sure the right bit of color and pattern comes out.
The advantages of a neck scarf are manifold: in pure material and aesthetic terms, silk has a lovely textural contrast to linen. Not having to button your top button or encumber your throat with a tie or bow tie is a blessing in the summer, and best of all the scarf does extra duty absorbing sweat from your neck and providing a barrier between gland and collar.
Almost all of my scarves are vintage, although Hermes, Paul Smith, Drakes, and the Turkish brand Rumisu makes some of the most beautiful scarves around today. And one of the best things about neck scarves is that they’re unimpeachably unisex. Not only does this mean you get an excuse to carouse the women’s department, but it also means you can swap and share them with your partner. It’s the only part of my domestic wardrobe that’s communal (unless you count the leather chaps - but that’s a different matter…)
But the nicest thing about a good scarf are the wonderful prints. It’s a bigger canvas than a tie or a pocket square, and the prints are engineered more often than with those other media. Yes, some scarves are just a repeating pattern, but the better ones are self-contained artworks, and the best even tell a story - perhaps Moby Dick.
How to stay dandy and stay cool in India’s classic garment.